This study examines the concept of Afrojujuism as a literary device for articulating cultural hybridity and identity in Amos Tutuola's My Life in the Bush of Ghosts. Rooted in the fusion of African spiritual cosmologies, folklore, and modernist literary experimentation, Afrojujuism encapsulates a poetics of syncretism, where indigenous oral traditions, colonial legacies, and postcolonial realities converge. By analyzing the novel's narrative structure, linguistic style, and thematic concerns, this paper explores how Tutuola employs Afrojujuism to challenge rigid cultural binaries and reimagine identity as a fluid, dynamic process. The work highlights the interplay between Yoruba mythology, animist beliefs, and global literary forms, demonstrating how the novel constructs a liminal space where the material and spiritual worlds intersect. Ultimately, this study argues that Afrojujuism serves as a powerful aesthetic and ideological framework for expressing the complexities of postcolonial African identity.